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Piano Music
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Pastoral - Piano Sonata No. 2 (B Sharp)
'Pastoral' - Piano Sonata No. 2 For solo piano in two movements. The term pastoral can be interpreted in different ways, either by the idea of a pastoral work portraying country life or pastoral care offering support. There is no set interpretation in this piece as the two movements exist to offer moods of reflection and spiritual realisation. Movement 1 - 0:04 Movement 2 - 9:04
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Bi - Piano Sonata No. 1 (composed by B Sharp, featuring #theowlhouse themes)
For solo piano in four movements, composed by Barnabas Sharp. Featuring themes from The Owl House composed by TJ Hill. Movement 1: 0:04 Movement 2: 11:53 Movement 3: 18:38 Movement 4 (featuring themes from #theowlhouse): 23:54 The idea to compose a sonata based on experiences of bisexuality, both personal and universal, has remained with me for quite some time. However, when watching the episode of The Owl House called “Thanks to Them”, the moment where Luz comes out as bi to her mother, and the joy and acceptance that follows this, was the catalyst that drove me to complete the work. What follows are four movements with recurring motifs and ideas, but the story that flows throughout the work can interpreted in many different ways. The first movement takes the traditional sonata form but uses it to cage a feeling that is desperate to break from the structure’s confines. Trapped in its stern D minor, it does everything it can to experience joy by having its second subject in its unusual (but not necessarily completely alien) key of Bb major. What follows is a modulation battle before it finally settles in the brightness of D major. The second movement is an endearing romance; an exploration of bisexual ‘love’ in all its forms. The third movement exploits the 20th-century notion of bitonality (get it?) by having two contrasting themes in different keys juxtaposed on top of one another. Set in a scherzo-trio form, the trio slows things down and explores each theme individually and even gives us a glimpse of these themes actually sounding ‘traditionally nice’ when put together. The final movement is a fast finish, containing themes from The Owl House (composed by TJ Hill) to power it along to the finish. The Amity and Luz Dance theme from their “enchanting grom” is used to pay homage to some of the first hints from the show that our protagonist is part of the LGBTQ+ community; there are also comparisons of The Owl House theme to my own composed theme. This is a story of discovery, exploration, love, despair and acceptance, who many of us in the LGBTQ+ community experience everyday in this modern world. This work is not dedicated to anyone because it is for everyone. My only wish is that you find yourself in this music, and know that you are loved.
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"Alicia Alonso" - a Dance for Piano (Barnabas Sharp)
A Dance for Piano inspired by the life and legacy of Cuban ballet dancer Alicia Alonso. A flowing and uplifting melody with a swift accompaniment and arpeggiated chords and quick scales borrowing imagery from Alisa's "wavy black hair and grand manner" start off this piece before the tonic minor version of the melody creeps in as Alisa becomes bedridden from her operations due to a detached retina; forbidden to laugh, cry or turn her head. Despite these setbacks, Alisa finds a way to return to dancing and becomes one of the most famous dancers in the world. This new theme is more restrained, with an accompaniment that stumbles between broken chords and arpeggios, the harmony becomes more inventive as the resolution is solid whilst open for exploration. This piece was commissioned by a patron at the Tenterden Ballet Studios. The score is available on request. Facebook: @BSharp97 bsharpproductions.co.uk
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The Boy in the Dress - (Ballet Dance for solo piano) Barnabas Sharp
A dance for solo piano inspired by David Walliams' novel. There are distinct themes that represent parts of the story: A sporty fanfare focussing on the comfortably 'masculine' theme of sport, inspired by the 'Match of the Day' theme. A more emotional melody that's calmer, a descending melodic line that feels fragmented as Dennis gets use to his feelings as he wears the dress, as he continues to build his confidence so does the music which ends with a complete descending major scale. The team from Maudlin street are playing dirty and will surely win, who will save the day? Dennis' emotional theme fits into the fast-paced tempo of the football match as he and his teammates don dresses and claim their victory. As his friends and family watch on, he finally feels at balance with himself. Illustrations by Quentin Blake. bsharpproductions.co.uk
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'Mermaids' - Barnabas Sharp
Piano solo composed by Barnabas Sharp. This brief sketch has been left unused so I decided to release it, inspired by the mysteries and tales that surround mermaids. Composed and performed by Barnabas Sharp. This recording belongs to Barnabas Sharp and must not be used for anything without their permission. Artwork by coughsyrup-cosmonaut, used with permission. coughsyrup-cosmonaut.tumblr.com bsharpproductions.co.uk
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"The Binder Feels Fine, Mom." - Barnabas Sharp
I was touched by a comic strip by Hunter (draeden.tumblr.com) showing the love of parent towards their trans son when he tries on his binder for the first time, and wanted to express my emotions for solo piano. It's a simple theme of hope and love but does show moments of doubt and fear that comes naturally to wanting your parents' acceptance of your true self. I also used a micro-macro reflective structure to mirror the four panels of the comic; that is each panel is represented in the piece's entire structure, structure of individual sections and even the theme's melodic structure. I have dedicated this work to parents who don't yet understand, and the kids who want them to understand. Composed and Performed by Barnabas Sharp. With thanks to Hunter at draeden.tumblr.com www.bsharpproductions.co.uk
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Fugue based on a theme from 'Steven 'Universe'
First time writing a fugue and breaking away from the traditional style which includes a 'mid-fantasia' in the middle and slow ending. Based on Garnet's theme from 'Steven Universe', there are various other nods and references to other songs throughout the fugue. Enjoy! Themes by Rebecca Sugar, Composed and Performed (somewhat) by B Sharp
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Men and Monsters (from 'Six Short Stories') - B Sharp
This is the first movement from 'Six Short Stories', a suite for solo piano. It tells the story of a priest torn between accepting a gay couple into his life and the devilish ambitions of his wife. The themes are presented as different sorts of hymns; a modern ‘sing-song’ for the homosexual couple, a medieval chant for the priest’s wife and the angry mob she stirs up, and the movement is bookended by a traditional chorale which looks forwards to further acceptance. Performed by B Sharp. This work and recording belongs to B Sharp and must not be used for anything without given consent from B Sharp. https://barnabassharp.wixsite.com/bsharpproductions
Chamber Music
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"anti-radiation gloves" - A tribute to William Hartnell for #doctorwho60thanniversary
Composed by B Sharp (and featuring the voice of William Hartnell as The Doctor). Heavily inspired by Steve Reich's 'Different Trains', I decided to compose a tribute to William Hartnell's incarnation as the Doctor. After choosing several recordings of dialogue, the music (melodies and chords) in each phrase is built out of the musical tones from Hartnell's performance. When deciding upon which snippets of dialogue to use, I was drawn to Hartnell's many 'fluffs'. Back in the days of recording television, it wasn't an easy task to rerecord or edit out wrong dialogue (it was usually treated the same as live theatre), so any errors were just left in the final cut. This was made more difficult for Hartnell as he suffered from undiagnosed arteriosclerosis - making it difficult for him to remember his lines and caused lapses in concentration. What I admire is how the Doctor Who fandom have incorporated these fluffs as part of the characterisation of the Doctor. My favourite in particular is due to the first incarnation wearing out his body too much, caused more severely by the time destructor (see The Daleks' Master Plan). Hence, not only is this piece a tribute to my love of the show, but also to the actor William Hartnell, who, despite his failing health, became one of the most important components to the show. He helped establish the first principles, fluffs and all, to a character that is universally beloved. The quotes have come from the following episodes: "The Daleks", "The Edge of Destruction", "The Keys of Marinus", "The Sensorites", "The Web Planet", "The Chase", "The War Machines" and "The Three Doctors". This work is the property of Barnabas Sharp. Doctor Who is the property of the BBC. This work was composed at the time as non-profitable.
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Nick and Charlie (Theme from "Heartstopper") - Barnabas Sharp
A little romantic theme inspired by the main characters from "Heartstopper" by Alice Oseman. bsharpproductions.co.uk
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1am Walk (or How to Stop Worrying About the Inevitable Heat Death of the Universe and Stuff) -BSharp
Composed by Barnabas Sharp, a piece of music gathering my reflections whenever I take a late night walk. Composed and Performed by Barnabas Sharp. This music belongs to Barnabas Sharp and must not be used for anything without their permission. With thanks to Rory Ford for taking the picture. bsharpproductions.co.uk
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Memorare - Barnabas Sharp
Commissioned for the rarescale Call-for-Scores in collaboration with the Royal Holloway Baroque Ensemble. The Memorare is a Roman Catholic prayer that asks for the intercession of the Blessed Virgin Mary. The setting and character of the piece was inspired by a story of St. Francis de Sales and his association with the prayer; at 18 he suffered from a ‘dumb devil’ that made him increasingly depressed, only when he recited the Memorare in front of the Black Madonna was his spirit healed. With this story in mind, Memorare begins with the sense of uncertainty by calling on Mary for help before becoming more joyous and majestic when blessings are received. Finally, we return to that same anxious feeling from before as we struggle over and over again. Composed by Barnabas Sharp.This work and recording belongs to Barnabas Sharp and must not be used for anything without given consent from Barnabas Sharp.
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Eight Exoplanets - Barnabas Sharp
With only a 5 minute maximum duration, a six-note selection and three instruments to play from, 'Eight Exoplanets' explores eight of the most peculiar worlds that lie outside our solar system. Taking advantage of the experimental sounds and colours of the instruments, 'Eight Exoplanets' received its premiere performance during the 2019 REPLAY festival at Royal Holloway, University of London. Composed by Barnabas Sharp. Performed by Adam Smith (Clarinet/Bass Clarinet), Kira Hilton (Viola) and James Ellis (Piano). This work and recording belongs to Barnabas Sharp and must not be used for anything without permission from Barnabas Sharp.
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"... clear spring water..." - Barnabas Sharp
Inspired by the story of Fukuda Chiyo-ni and how she became the first female Japanese poet to be accepted during her life, I made a biographical interpretation of the haiku. At 17 she became publicly famous, known by everyone in Japan for her poems (“on moor and mountain”); tragically she lost her son who died in infancy before her husband perished from disease all before she was 19 and became very depressed (“nothing stirs”). Later in life she chose to become a Buddhist nun; “Not", she said, "in order to renounce the world, but as a way “to teach her heart to be like the clear water which flows night and day” and lived a quiet and peaceful life until she passed away (“this morn of snow”). This is reflected in the music by dividing it into three sections. A represents Chiyo-ni’s success as a female poet which is lively, B is sad and apathetic as she loses those closest to her, and C is more grounded as she devotes the rest of her life to Buddhism. Not only is the title of this piece inspired from her “clear water” quote, but it also makes an appearance in another of her haikus: rouge lips forgotten – clear springwater Composed by Barnabas Sharp, performed by the CHROMA Duo. This work and recording belongs to B Sharp and must not be used for anything without given consent from B Sharp.
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singularity - B Sharp
Inspired by images of the black hole from the film 'Interstellar', this piece describes a spaceship travelling towards a black hole, before entering the event horizon and passing into the singularity. The main theme is built upon the 'Schwartzchild Radius' Equation by converting its numerical values into musical notation. Performed by members of the CHROMA ensemble, recording used with permission from CHROMA. This work belongs to B Sharp and must not be used for anything without given consent from B Sharp Trumpet: Heidi Bennet Bassoon: Helen Simmons Piano: Martin Cousin Violin: David Le Page Viola: David Aspin Cello: Clare O'Connell www.chromaensemble.co.uk https://barnabassharp.wixsite.com/bsharpproductions
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Euler - B Sharp
A movement for String Quartet and based on the equation of the same name. Each of the numerical values have been converted into musical notation and displayed throughout the piece. Overall, it tells a story of admiration that mathematicians have for this formula (considered to be the most beautiful equation) before descending into chaos when others try and fail to grasp its concepts. Performed by a String Quartet led by James Widden. Recording used with permission. This work belongs to B Sharp and must not be used for anything without given consent from B Sharp. https://barnabassharp.wixsite.com/bsharpproductions
Vocal Music
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Six Songs Of Rye - A Song Cycle (Composed and Performed by Barnabas Sharp)
These six poems come from a collection called 'Lettered Rye' by Anwesha Arya, set on describing feelings and emotions around the British town of Rye on the East Sussex coast. I first acquired her collection of poems in 2021, sketched the outlines and plans for the pieces in 2022, finished the compositions in 2024 and recorded the final works in 2025. Timings: 0:05 Rye Lions 1:48 Leaves 3:40 Under the Bridge 5:50 Childhood Beach 8:19 The Wind 10:14 Lettered Rye https://www.facebook.com/p/Anwesha-Arya-Author-Page-100071620446815/?locale=en_GB
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Prayer to the Holy Spirit - Composed and Performed by B Sharp
Sacred Song Composed and Performed by B Sharp; Commissioned for the official consecration of the Anglican Catholic Church of Saint Augustine of Canterbury, Painters Forstal, 2024. This prayer written by the church's namesake saint served as the backdrop to show a journey in faith. When Augustine first visited England to start his mission, he was skeptical and scared initially, so he returned to Rome before being given some advice by the Pope. This story of hesitation fed the narrative for this piece, rather than a typical glorious anthem.
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Painters Forstall Prayers - Composed by B Sharp
Three prayers for voice(s) and accompaniment. Inspired by the devotions of the Anglican Catholic Church of Saint Augustine in Painters Forstall. 0:03 1: Saint Augustine of Canterbury (from the Prayer of the Sick) 1:37 2: Blessed Elizabeth Barton (written by Damien Mead) 3:04 3: The Relic of the Veil (written by Damien Mead) Performed by B Sharp and Louis Collins.
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Love Came Down At Christmas - a carol (B Sharp)
A newly composed version of the carol 'Love Came Down At Christmas' (words by Christina Rossetti). This carol premiered at the carol service at Saint Augustine's church in Painters Forstal.
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"Born in Mountains" - a #nonbinary aria (B Sharp)
"Born in Mountains" - a nonbinary aria by B Sharp Inspired by the cantatas of JS Bach, this is a pastiche of his style set to an adapted quote by Maia Kobabe. Using a melody I composed and kept hold of since 2013, it elevates this quote about the transgender and nonbinary community.
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Stabat Mater (arranged by B Sharp)
An arrangement of the "Stabat Mater" tune using the text "At the cross her station keeping" which is normally used between the Stations of the Cross. Melody from Mainz Gesangbuch, 1661 Arranged and Performed by B Sharp At the cross her station keeping ascribed to Jacopone da Todi (d. 1306), transcribed E. Caswall (1814-1878) bsharpproductions.co.uk
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"For the Future" from "Riverboat Songs of the Lost Spring" (Song Cycle by Barnabas Sharp)
The tenth and final movement from "Riverboat Songs of the Lost Spring", a song cycle composed and performed by Barnabas Sharp. The poem, "For the Future", was written by Wendell Berry (source: http://famouspoetsandpoems.com/poets/wendell_berry/poems/131 - permission currently being sought). This chorale serves as a statement that the future will bring good things, and that we'll soon see them. Facebook: @BSharp97 bsharpproductions.co.uk
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"Hope still blooms" from "Riverboat Songs of the Lost Spring" (Song Cycle by Barnabas Sharp)
The ninth movement of "Riverboat Songs of the Lost Spring", a song cycle composed and performed by Barnabas Sharp. The poem, "Hope still blooms", was written by Georgia Taylor (source: https://exposure.org.uk/2020/05/lockdown-poem-hope-still-blooms/) Used with permission by Exposure. This repetitive theme on hope and trust builds confidence as the piano ostinato keeps going and going with the poem. I would like to thank Exposure for allowing me to use the poem. https://exposure.org.uk/ Facebook: @BSharp97 bsharpproductions.co.uk
Experimental Music
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Swallow The Universe - Experimental Score for Comic Book (Composed by B Sharp)
Experimental Score Composed and Performed by B Sharp, featuring the inspired comic book by João Caridade. Caridade describes the comic book as a journey that "combines the processes of digestion with sci-fi influences", I decided to combine pitch-manipulated vocal recordings to create a soundscape that pairs universal creation with the human digestion process. Please do check out more of Caridade's work at their website caridade.co.uk
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"Do I Keep Going?" - Barnabas Sharp
My entry for the Resilient Artist International Prize Award, "Do I Keep Going?" is written for voice, piano and loop pedal and is a musical response to the Covid-19 virus pandemic that focusses on the effect that the restrictions, isolations and anxieties are having upon those with mental health issues. Check out the other fantastic entries and winners through all 4 categories at perceptionswarehouse.com/2020-artist-award Stay safe and look after one another. This music belongs to Barnabas Sharp and must not be used for anything without their permission. bsharpproductions.co.uk Facebook: @BSharp97
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(REMASTERED) "... a better understanding of my surroundings." - Barnabas Sharp
A brand new remaster of Barnabas Sharp's experimental loop composition: "... a better understanding of my surroundings.", featuring newly recorded vocals, revitalised mixing and some additions to the video including subtitles for the interview quotes. This piece exists to represent the different colours of autism. "The Calm" shows a person on the spectrum in a calm and relaxed state of mind, "The Attack" demonstrates what happens when they are suffering a panic attack due to sensory overload before reaching "The Return", where they use various methods to pull themselves out of the attack and return to their 'normality'. This piece uses voice, piano, soundscape recordings, interviews given by those on the spectrum (E, Jamie, Robbie Cooke and Rory Ford) and loop pedal. WARNING: The second section builds up to a brief 'earrape'. This occurs at 5:17, there will be a 10 second warning of its anticipation in the video. This warning has been added to aid those with heightened sensory conditions. Composed and performed by Barnabas Sharp. This work and recording belongs to Barnabas Sharp and must not be used for anything without permission from Barnabas Sharp. bsharpproductions.co.uk
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Loop Dimittus (Live)
Experimental work for voice and loop pedal. The Nunc Dimittus, commonly known as the canticle of Simeon, is what he says to Mary as he rejoices upon laying eyes on Christ. This 'loop' version was composed especially and premiered at the 'Candlemas Concert' in February 2020. Composed and performed by Barnabas Sharp bsharpproductions.co.uk
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Hail Mary Loop (Live) - Barnabas Sharp
This is part of an ongoing project to adapt the four rosary cycles involving loop pedals. The 'Hail Mary' prayer is sung in latin and looped across itself to create a four-part harmonic version. Premiered at the Summer concert at the Tenterden Unitarian Chapel. Composed and performed by Barnabas Sharp. This work and recording belongs to Barnabas Sharp and must not be used for anything without permission by Barnabas Sharp.
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"quote unquote" - Barnabas Sharp
Composed especially for the 2019 Spring recital 'ExperiMentality', "quote-unquote" uses voice and loop pedal to layer famous quotes from 20th and 21st century composers continuously on top of each other in order to form a catastrophic wave of thoughts and ideas. With the composers' names set to a musical code that is fed through their quotes, this piece represents all the endless compositional ideas that are taking place in the present and how there isn't a strict definition for 'contemporary classical music'. Composed and performed by Barnabas Sharp. This work and recording belongs to Barnabas Sharp and must not be used for anything unless given permission by Barnabas Sharp.
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Marsh Landscapes - B Sharp
10 Movements for Piano/Keyboard and Loop Pedal. This describes my early memories of living on the Romney Marsh, how car journeys would make the landscapes move differently from one another. Inspired by minimalist composers and modern loop artists, this is a brand new recording of the work. Timecodes: Landscape 01 - 0:00 Landscape 02 - 6:32 Landscape 03 - 10:24 Landscape 04 - 11:57 Landscape 05 - 13:51 Landscape 06 - 16:11 Landscape 07 - 17:51 Landscape 08 - 19:53 Landscape 09 - 21:21 Landscape 10 - 23:07 Performed by B Sharp. This work and recording belongs to B Sharp and must not be used for anything without given consent from B Sharp. https://barnabassharp.wixsite.com/bsharpproductions
Solo Instrumental Works
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all kinds of minds - Barnabas Sharp
Commissioned for the Vote100 concert at Royal Holloway, University of London in 2018; this piece for solo violin (performed by Daniel Gurner) was inspired by the speech 'The World Needs all Kinds of Minds' by Temple Grandin. Taking Sonata form, the piece houses three distinct melodies that, although they feel separate from one another, need to work together - just like all the different sorts of minds that are working together. Composed by Barnabas Sharp and performed by Daniel Gurner. Recording used with permission. This work and recording belongs to B Sharp and must not be used for anything without given consent from B Sharp.
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Summation - B Sharp
A 'spiritual sequel' to 'Euler', this movement tells the story of a mathematician trying to solve the problem shown in the video above. The answer is clearly '2', but the mathematician decides to take the longer approach and continuously add each iteration, hoping to reach the answer. The decimalised version of the first 15 fractions have been converted into musical notation; and as the mathematician continues to add them up, the phrases become increasingly unnecessarily complicated. In the end, he simply gives up, realising that the answer was simply '2' and leaves the room in frustration. Performed by Ausias Garrigos, recording used with permission from CHROMA. This work belongs to B Sharp and must not be used for anything without given consent from B Sharp. www.chromaensemble.co.uk https://barnabassharp.wixsite.com/bsharpproductions
Choral Music
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FCS performs world premieres. A Tree Is and Roots composed by Barnabas Sharp .
FCS performed world premieres of 6 new choral works, 2 of these A Tree Is and Roots composed by Barnabas Sharp . Faversham Choral Society worked incredibly hard to bring these new pieces to life supporting the creation of new music! FCS were able commission new music for the choir with a bequest with a very dear couple who sang with the choir with more than 50 years service between them.
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"The Peace of God" - Choral work composed by B Sharp
A choral work for three voices commissioned for the 150th anniversary of the church building in Painters Forstall.
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Silent Night arr. Barnabas Sharp
In taking on such a classic as Silent Night the arrangement has got to be impressive! You are all prepared to dislike it, but how can you. This is the second piece from Barnabas that Faversham Choral has premiered.
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I Will Help - (Choral Work by B Sharp)
I Will Help - A choral work composed by B Sharp during the pandemic in the Summer of 2020. “I will help” was composed during the Summer of 2020 for a competition run by the Harlequin Chamber Choir. The brief was to write a choral work inspired by the pandemic. I took inspiration from those who were helping as much as they could and how they acted as an example to others, instead of acting selfish. The final result is a wonderful hopeful blend of voices that serves to gently remind each other to be the best version of ourselves as we do the right thing; not by the instruction of some higher power or figure but for the good of humankind. Music and words by B Sharp Performed by the Faversham Choral Society (April 2022) Sheet Music: https://www.sheetmusicdirect.com/en-US/se/ID_No/518132/Product.aspx?fbclid=IwAR01KzKIYvccJ-tUTY3zi6gu7PvLbdJ7q6zqKDwo_3DXJD4fIp606RqV5Ww bsharpproductions.co.uk
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The Offering - Barnabas Sharp
Inspired by the poem of the same name by Eve Forti, this choral song was written for and performed by the Choir of St. Andrew's Church, Tenterden (led by Andrew Butler). It explores the hidden meanings behind the Presentation of the Lord and the slightly sinister undertones to Simeon's parting words to Mary. Composed by Barnabas Sharp. This work and recording belongs to Barnabas Sharp and must not be used for anything without given consent from Barnabas Sharp.
Orchestral Music
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"PotatOverture" - Barnabas Sharp
Overture for Virtual Orchestra and Soloists. Commissioned to open the annual Potato Dig. bsharpproductions.co.uk
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"Moon moon" - Barnabas Sharp
This was composed for my final Masters project with the aim of celebrating the 50th anniversary of the Apollo 11 Moon landings; written for baritone, laptop and symphony orchestra. The tone poem is divided into three distinct sections. The first is an orchestral translation of various equations used by key NASA mathematician Katherine Johnson by use of a code involving hexadecimals. The baritone writes these equations on a chalkboard. The second movement takes the poem "My Vacation" written by Neil Armstrong and sets it to the exact dialogue tones from his reports whist on the Moon, the baritone sings this through a radio. The third and final movement shows how much of the cosmos there is left to explore by taking various components from the previous movements and moulds them into an exciting finale, told through the poem "Galaxy" by Papa Terminus. Please note that this is an orchestral MIDI mockup as a live performance was not available. This work belongs to Barnabas Sharp and must not be used for anything without Barnabas Sharp's permission. "My Vacation" - Neil Armstrong: https://magazine.uc.edu/editors_picks/recent_features/armstrong/poem.html "Galaxy" - Papa Terminus: https://allpoetry.com/poem/14297836-Galaxy--by-Papa-Terminus www.bsharpproductions.co.uk
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