'Pastoral' - Piano Sonata No. 2 For solo piano in two movements. The term pastoral can be interpreted in different ways, either by the idea of a pastoral work portraying country life or pastoral care offering support. There is no set interpretation in this piece as the two movements exist to offer moods of reflection and spiritual realisation. Movement 1 - 0:04 Movement 2 - 9:04

For solo piano in four movements, composed by Barnabas Sharp. Featuring themes from The Owl House composed by TJ Hill. Movement 1: 0:04 Movement 2: 11:53 Movement 3: 18:38 Movement 4 (featuring themes from #theowlhouse): 23:54 The idea to compose a sonata based on experiences of bisexuality, both personal and universal, has remained with me for quite some time. However, when watching the episode of The Owl House called “Thanks to Them”, the moment where Luz comes out as bi to her mother, and the joy and acceptance that follows this, was the catalyst that drove me to complete the work. What follows are four movements with recurring motifs and ideas, but the story that flows throughout the work can interpreted in many different ways. The first movement takes the traditional sonata form but uses it to cage a feeling that is desperate to break from the structure’s confines. Trapped in its stern D minor, it does everything it can to experience joy by having its second subject in its unusual (but not necessarily completely alien) key of Bb major. What follows is a modulation battle before it finally settles in the brightness of D major. The second movement is an endearing romance; an exploration of bisexual ‘love’ in all its forms. The third movement exploits the 20th-century notion of bitonality (get it?) by having two contrasting themes in different keys juxtaposed on top of one another. Set in a scherzo-trio form, the trio slows things down and explores each theme individually and even gives us a glimpse of these themes actually sounding ‘traditionally nice’ when put together. The final movement is a fast finish, containing themes from The Owl House (composed by TJ Hill) to power it along to the finish. The Amity and Luz Dance theme from their “enchanting grom” is used to pay homage to some of the first hints from the show that our protagonist is part of the LGBTQ+ community; there are also comparisons of The Owl House theme to my own composed theme. This is a story of discovery, exploration, love, despair and acceptance, who many of us in the LGBTQ+ community experience everyday in this modern world. This work is not dedicated to anyone because it is for everyone. My only wish is that you find yourself in this music, and know that you are loved.

A Dance for Piano inspired by the life and legacy of Cuban ballet dancer Alicia Alonso. A flowing and uplifting melody with a swift accompaniment and arpeggiated chords and quick scales borrowing imagery from Alisa's "wavy black hair and grand manner" start off this piece before the tonic minor version of the melody creeps in as Alisa becomes bedridden from her operations due to a detached retina; forbidden to laugh, cry or turn her head. Despite these setbacks, Alisa finds a way to return to dancing and becomes one of the most famous dancers in the world. This new theme is more restrained, with an accompaniment that stumbles between broken chords and arpeggios, the harmony becomes more inventive as the resolution is solid whilst open for exploration. This piece was commissioned by a patron at the Tenterden Ballet Studios. The score is available on request. Facebook: @BSharp97 bsharpproductions.co.uk

A dance for solo piano inspired by David Walliams' novel. There are distinct themes that represent parts of the story: A sporty fanfare focussing on the comfortably 'masculine' theme of sport, inspired by the 'Match of the Day' theme. A more emotional melody that's calmer, a descending melodic line that feels fragmented as Dennis gets use to his feelings as he wears the dress, as he continues to build his confidence so does the music which ends with a complete descending major scale. The team from Maudlin street are playing dirty and will surely win, who will save the day? Dennis' emotional theme fits into the fast-paced tempo of the football match as he and his teammates don dresses and claim their victory. As his friends and family watch on, he finally feels at balance with himself. Illustrations by Quentin Blake. bsharpproductions.co.uk

Piano solo composed by Barnabas Sharp. This brief sketch has been left unused so I decided to release it, inspired by the mysteries and tales that surround mermaids. Composed and performed by Barnabas Sharp. This recording belongs to Barnabas Sharp and must not be used for anything without their permission. Artwork by coughsyrup-cosmonaut, used with permission. coughsyrup-cosmonaut.tumblr.com bsharpproductions.co.uk

I was touched by a comic strip by Hunter (draeden.tumblr.com) showing the love of parent towards their trans son when he tries on his binder for the first time, and wanted to express my emotions for solo piano. It's a simple theme of hope and love but does show moments of doubt and fear that comes naturally to wanting your parents' acceptance of your true self. I also used a micro-macro reflective structure to mirror the four panels of the comic; that is each panel is represented in the piece's entire structure, structure of individual sections and even the theme's melodic structure. I have dedicated this work to parents who don't yet understand, and the kids who want them to understand. Composed and Performed by Barnabas Sharp. With thanks to Hunter at draeden.tumblr.com www.bsharpproductions.co.uk

First time writing a fugue and breaking away from the traditional style which includes a 'mid-fantasia' in the middle and slow ending. Based on Garnet's theme from 'Steven Universe', there are various other nods and references to other songs throughout the fugue. Enjoy! Themes by Rebecca Sugar, Composed and Performed (somewhat) by B Sharp

This is the first movement from 'Six Short Stories', a suite for solo piano. It tells the story of a priest torn between accepting a gay couple into his life and the devilish ambitions of his wife. The themes are presented as different sorts of hymns; a modern ‘sing-song’ for the homosexual couple, a medieval chant for the priest’s wife and the angry mob she stirs up, and the movement is bookended by a traditional chorale which looks forwards to further acceptance. Performed by B Sharp. This work and recording belongs to B Sharp and must not be used for anything without given consent from B Sharp. https://barnabassharp.wixsite.com/bsharpproductions